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La durée de 00:16:55 secondes et le titre An Introduction To Drone Cinematography sont à prendre en compte, ainsi que les informations de l’auteur et la description qui suit :« La cinématographie sur le drone vous permet de partager le monde du point de vue d’un oiseau, mais la conquête du ciel peut être un peu écrasante. Dans cette vidéo, vous apprendrez ce qu’il faut pour maîtriser les commandes de votre avion, maximiser le temps de vol, tirer le meilleur parti de la caméra de votre avion – et finalement, produire de superbes images aériennes. #Drone #cinématographie #TUTORAL FISHER604 Sur Instagram http://bit.ly/2d4fjn9 – – – – – – – – – – – – – – – – – – – – – – 01:06 – Mouvements lisses 02:04 – Couptions Gimbal 05:29 – FORD MODES ET EXEXE 04:42- 06:49 – Fly Low 08:32 – Compose With Less Sky 09:40 – Don’t Forget Audio 10:22 – Maximize Flight Time 11:38 – Flight Planning 13:18 – Camera Settings 14:46 – White Balance 15:34 – Conclusion – – – – – – – – – – – – – – – – – – – – – – – – ».
Youtube offre un espace d’expression où chacun peut partager des vidéos sur des thèmes multiples, des réflexions personnelles aux idées novatrices.
Comparaison des systèmes traditionnels de prise de vue aérienne
Les plans aériens d’autrefois nécessitaient des hélicoptères ou des grues, ce qui impliquait des coûts élevés et une logistique compliquée. Grâce aux drones, ces prises de vue sont accessibles à tous les réalisateurs aujourd’hui.
Avantages du Pilotage de Drone pour les Experts
Mesures de sécurité à mettre en œuvre pour les opérations aériennes
Une distance de sécurité doit être observée avec le public et les infrastructures. Il est crucial de consulter les prévisions météorologiques pour prévenir les turbulences et les vents violents, d’employer un drone sécurisé doté de capteurs d’obstacles et d’un parachute de secours, et de suivre une formation au pilotage professionnel pour réduire les risques d’accident.
Réduction des charges et optimisation du temps
En comparaison avec les prises de vue par hélicoptère, le tournage en drone est beaucoup plus abordable. Pour intervenir efficacement, même en zones urbaines, la rapidité de l’installation et la flexibilité du tournage sont essentielles.
Progrès des systèmes de drones dans l’industrie audiovisuelle
Les drones modernes, dotés de caméras haute définition (4K, 8K), de stabilisateurs innovants et d’une précision de vol remarquable, permettent des prises de vue cinématographiques captivantes.
Tournage en Drone : Les Nouveaux Terrains de la Vidéo
En adoptant le tournage en drone, la production audiovisuelle réalise des prises de vue aériennes saisissantes, qui étaient autrefois l’apanage des productions à gros budget. La connaissance de la réglementation en vigueur et le choix du bon équipement sont essentiels pour réaliser une prise de vue vidéo aérienne légale et sécurisée.
Directives et Protection : Naviguer dans les Règles du Vol
Pourquoi Privilégier un Tournage en Drone ?
Un tournage en drone offre des perspectives inédites, à un prix abordable, tout en garantissant la sécurité. Nous vous offrons une prise de vue vidéo aérienne légale et professionnelle, contactez-nous pour des conseils sur mesure et des visuels impressionnants.
La nécessité de posséder une expertise et de sélectionner le bon matériel
La qualité de la production dépend fortement du choix du drone. Avec une stabilisation cinématographique, le DJI Inspire 3 permet de filmer en 8K, tandis que le Mavic 3 Pro est un choix compact et efficace pour les réalisateurs autonomes. Lors des courses ou des poursuites, le drone FPV est l’outil idéal pour des plans immersifs et dynamiques.
Une qualité d’image sublime avec des perspectives inédites
En recourant aux drones, on peut profiter d’une captation en 4K, 6K, 8K pour une qualité d’image exceptionnelle. Ils proposent la réalisation de plans dynamiques, comprenant des travellings aériens, des plongées impressionnantes et des poursuites fluides.
Réalisation et Conception d’un Projet de Captation Aérienne avec Drone
Étapes indispensables pour un shooting réussi
Pour un bon déroulement, il est important de définir le projet en fonction des types de prises de vue, de sélectionner un drone approprié tel que le DJI Inspire, le Mavic 3 Pro ou un FPV, et d’obtenir les autorisations nécessaires selon l’emplacement. Des tests de vol doivent être effectués avant le tournage afin d’ajuster les angles et la lumière, en particulier lors d’un événement où une seconde prise ne serait pas envisageable. Prévoir la post-production pour l’étalonnage, le montage et la stabilisation des images est d’une importance capitale.
Compréhension des droits nécessaires pour le tournage
En France et en Europe, des autorisations spécifiques sont indispensables pour les prises de vue vidéo aériennes avec un drone. Il est crucial de consulter les zones de vol autorisées sur Géoportail, de soumettre son vol à la DGAC et de se conformer aux scénarios de vol européens établis par la réglementation actuelle.
L’usage des drones pour le tournage vidéo connaît une évolution rapide. Un site leader fait le point sur les tendances et techniques à maîtriser sur cette étude approfondie .
Cliquez ici pour accéder directement à la vidéo sur youtube :
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#Introduction #Drone #Cinematography
Retranscription des paroles de la vidéo: [Music] good day welcome to the great white north where things are white and a bit cold it was 2013 when the iconic and original dji phantom was released and in the years that have passed the technology inside these drones has advanced significantly but the basics of capturing stunning aerial footage has remained the same in this video i’m going to share with you what i’ve learned over the past few years of flying professionally which will hopefully help you improve your aerial footage and full disclaimer throughout this entire video the word cinematic will be used only once and that was it [Music] the first and simplest means of improving your aerial footage is by making smooth movements slow is smooth and smooth is fast recklessly pushing the control sticks to their limits is going to produce harsh jarring movements learning to have a delicate touch is not overly difficult and just requires a bit of practice start by making smooth simple and small movements challenge yourself to move the aircraft forward in a straight line as slowly as possible remember not to take your thumbs off abruptly you need to return the control sticks to the center position just as smoothly as you move them away once you’ve mastered those small and simple movements try adding in movement from a second [Music] axis in addition to aircraft movement making smooth gimbal movements is just as important unfortunately unless you’re using either generation of inspire the rest of the dji drone lineup relies on a very awkward dial for tilting the gimbal again practice will help especially considering how finicky the dial really is but equally important are the advanced gimbal settings take a minute to locate any gimbal settings in your aircraft’s companion software with this mavic 2 pro i am able to adjust gimbal pitch speed and gimbal pitch smoothness speed is the maximum speed the gimbal is able to move and smoothness is how quickly the gimbal starts and stops moving adjusting the maximum gimbal pitch speed and gimbal pitch smoothness to your liking will help massively in creating very smooth gimbal movement the final piece of the smooth movement puzzle is your aircraft’s flight mode dji drones typically have three modes which are tripod sport and positioning of those three modes tripod offers the smoothest aircraft movements personally i use positioning and i take things even further by adjusting a few advanced settings expo or exponential curves determines how inputs to stick controls are translated to aircraft movement particularly in the stick range around neutral think of these curves as a ratio of stick movement to aircraft movement an s-curve a high number value gives the control sticks more sensitivity small control input creates large aircraft output a flat curve a low number value allows the control sticks to be less sensitive at center meaning relatively large control inputs produce small aircraft movement diving into sensitivity attitude is how quickly the aircraft responds to control input braking determines the time slash distance needed for the aircraft to stop after stick input stops and yaw is the maximum speed the aircraft can rotate gain relates to the aircraft’s automatic responsiveness to environmental inputs primarily wind these default settings usually do quite well and don’t need any further adjusting [Music] where possible try composing shots with a significant distance between foreground and background elements with this separation any aircraft movement will produce a noticeable parallax effect and that aircraft movement doesn’t need to be overly complex either simply flying parallel to your subject will produce the parallax effect that you’re after to take things a step further try orbiting your subject with distinct foreground and background elements and for those of you using an inspire who want to take this parallax as far as possible try using a longer focal length [Music] what constitutes foreground and background elements is relative you might have two mountain ranges separated by a valley where obviously the close mountains would be the foreground and the further away mountains would be the background alternatively the foreground might be a forced canopy as you track a moving vehicle against a dirt road which is the background foreground elements don’t necessarily demand a lot of composition space nor screen time duration either having those foreground elements exit or enter your frame as you move the aircraft very easily helps accentuate a feeling of depth and movement there certainly are instances where it’s not possible to have foreground elements there are also instances where it’s not necessary for the desired look of a shot if you’re trying to convey a feeling of vastness or isolation then you’re better off without any foreground elements [Music] [Applause] despite your aircraft’s ability to reach impressive altitudes the most dynamic aerial footage is captured closer to the ground high altitudes dampen any sense of movement and the heightened perspective diminishes a sense of scale by removing identifiable objects additionally with your aircraft at 120 meters it becomes difficult to spot and you likely won’t be able to travel any significant horizontal distance before losing sight of the aircraft completely which is important because in most countries laws pertaining to drone operation require maintaining unaided site of the aircraft at all times [Applause] [Music] [Applause] whether flying over an open field or a snow dusted forest keep your aircraft as close to the ground as you’re comfortable flying having the camera as close to the ground as possible accentuates speed this effect is made even more pronounced when flying over moving water in this shot the aircraft isn’t moving any faster than 10 kilometers an hour but it is moving in the opposite direction as the waters flow which makes it a little more dramatic one word of warning when flying over open water the bottom facing sensors of most drones aren’t quite reliable and i would recommend keeping a sharp eye on your aircraft as it is possible it will gain or lose altitude unexpectedly [Music] unless you’re capturing dramatic cloud formations or you’re after a composition with horizontal symmetry there’s little need for the sky to occupy so much real estate in your frame objects on the ground certainly look different from an elevated perspective but clouds still look like clouds from 120 meters even if you’re taking off from a higher elevation and there happen to be clouds below you there’s little need for an empty sky to be the upper half of your frame consider the rule of thirds divide your composition into three equal horizontal slices keep the horizon at that upper or above that upper third division mark this is important to remember when creating a reveal shot when your aircraft is moving forwards or backwards and your gimbal is tilting from a downwards to an upwards position make sure that it ends that movement so that the horizon is at that upper third division mark don’t forget about audio admittedly you wouldn’t likely be able to hear crunching snowshoes with such fidelity at a high elevation but it does quickly increase the perceived production value of your footage and it makes it more engaging than aerial footage without natural audio be sure that when you’re adding audio that it matches with the audience is watching that it is synchronized with any environmental movement if you’re watching a wave crash you should hear it crash at the exact same [Music] [Applause] moment current battery technology allows the average drone to remain airborne for at most 30 minutes each and every minute your aircraft is in the air is valuable time you don’t want to be unnecessarily troubleshooting image settings or trying to locate a specific preference in the menu ensure that you are familiar with the companion software that comes with your aircraft ultimately your ability to capture dynamic aerial footage is limited to your ability to maximize your flight time yes your flight time is valuable but that doesn’t mean you should be panicked and flying frantically not taking the appropriate time to compose your shots fly with a purpose whether that purpose is to become better acquainted with the flight controls or to capture specific imagery approach every flight with a set goal and a plan to help you achieve that goal creating a flight plan can save you a great deal of time and trouble once your aircraft is airborne i use google earth to determine where the best opportunities are for a specific shot and i use photo ephemeris to determine when and where the best lighting conditions will be and be prepared to scrap your entire flight plan if the weather doesn’t cooperate most importantly determine what the airspace classification is where you plan to fly and adhere to the regulations pertaining to your aircraft [Music] obviously the simplest means of giving yourself additional flight time is by investing in an extra battery or two or three with more batteries at your disposal you have more opportunity to capture that perfect shot or more practice time to master your aircraft’s flight controls having an extra battery on hand is only useful if it is completely charged making sure that every one of your batteries is fully charged should be part of your flight plan so too should be checking that every piece of your gear is exactly where it should be as there’s nothing more frustrating than making it to the top of a cold windy mountain only to discover that you’ve forgotten your nd filters or you have three of one prop type and only one of another [Music] with a large percentage of your attention focused on flying as well as any other potential distractions it’s quite easy to forget about the basics of capturing video as such it’s important to ensure that your aircraft’s camera is set up to capture the best video quality possible before even leaving the ground for starters ensure that your shutter speed adheres to the 180 degree shutter rule that is your shutter speed needs to be twice that of the frame rate which you’re capturing video so if i’m capturing video at 30 frames per second my shutter speed needs to be 1 60 of a second if i’m capturing video at 24 frames per second my shutter speed needs to be 1 48 of a second which isn’t quite possible on most drones so we round up a bit to 1 50th most drones with a fixed lens see considerable diffraction related image softness when using smaller apertures subsequently for the sharpest image possible you should rely on nd filters as your primary means of exposure control and keep the aperture value as small as possible additionally these small camera sensors found on most drones perform very poorly in low light conditions and produce visible digital noise at high iso values every effort should be made to use the lowest iso possible lastly don’t forget about white balance using a considerably wide focal length and making dramatic camera movements means you may encounter various lighting conditions and multiple color temperatures in a single clip you’ll see in this shot how auto white balance may be convenient but it can cause trouble shot at magic hour the trees begin that proper warm orange hue but gradually they become cold and blue it is important to manually set your white balance at the beginning of every shot this is time consuming but it will produce a better product in the end [Music] individually the topics discussed throughout this video do have potential to create compelling aerial footage however the most engaging and eye-catching shots are the product of multiple elements combined flying low without giving the sky too much real estate making smooth movements while incorporating dynamic foreground elements being efficient with your time without neglecting the basics of video capture ultimately there is no one recipe to create a dynamic aerial shot and it’s up to you to be creative [Music] that’s about all i have for improving your drone or aerial cinematography on behalf of cousteau and myself thank you for watching if you’ve enjoyed this video if you’ve learned something click like if you have a question or a comment put it down below thanks again and i will see you next time good dog [Music] you .
Déroulement de la vidéo:
10.5 [Music]
10.5 good day
10.5 welcome to the great white north where
10.5 things are white and
10.5 a bit cold it was 2013 when the iconic
10.5 and original
10.5 dji phantom was released and in the
10.5 years that have passed the technology
10.5 inside these drones has advanced
10.5 significantly
10.5 but the basics of capturing stunning
10.5 aerial footage has remained the same
10.5 in this video i&;m going to share with
10.5 you what i&;ve learned over the past few
10.5 years of flying professionally
10.5 which will hopefully help you improve
10.5 your aerial footage
10.5 and full disclaimer throughout this
10.5 entire video the word cinematic will be
10.5 used only once
10.5 and that was it
10.5 [Music]
10.5 the first and simplest means of
10.5 improving your aerial footage is by
10.5 making smooth movements
10.5 slow is smooth and smooth is fast
10.5 recklessly pushing the control sticks to
10.5 their limits is going to produce harsh
10.5 jarring movements
10.5 learning to have a delicate touch is not
10.5 overly difficult and just requires a bit
10.5 of practice
10.5 start by making smooth simple and small
10.5 movements
10.5 challenge yourself to move the aircraft
10.5 forward in a straight line as slowly as
10.5 possible
10.5 remember not to take your thumbs off
10.5 abruptly you need to return the control
10.5 sticks to the center position
10.5 just as smoothly as you move them away
10.5 once you&;ve mastered those small and
10.5 simple movements
10.5 try adding in movement from a second
10.5 [Music]
10.5 axis
10.5 in addition to aircraft movement making
10.5 smooth gimbal movements
10.5 is just as important unfortunately
10.5 unless you&;re using either generation of
10.5 inspire
10.5 the rest of the dji drone lineup relies
10.5 on a very awkward dial for tilting the
10.5 gimbal
10.5 again practice will help especially
10.5 considering how finicky the
10.5 dial really is but equally important are
10.5 the advanced gimbal settings
10.5 take a minute to locate any gimbal
10.5 settings in your aircraft&;s companion
10.5 software
10.5 with this mavic 2 pro i am able to
10.5 adjust gimbal pitch speed and gimbal
10.5 pitch smoothness
10.5 speed is the maximum speed the gimbal is
10.5 able to move and smoothness is how
10.5 quickly the gimbal starts and stops
10.5 moving
10.5 adjusting the maximum gimbal pitch speed
10.5 and gimbal pitch smoothness to your
10.5 liking will help
10.5 massively in creating very smooth gimbal
10.5 movement
10.5 the final piece of the smooth movement
10.5 puzzle is your aircraft&;s
10.5 flight mode dji drones typically have
10.5 three modes
10.5 which are tripod sport and positioning
10.5 of those three modes tripod offers the
10.5 smoothest aircraft movements
10.5 personally i use positioning and i take
10.5 things even further by adjusting a few
10.5 advanced settings expo or exponential
10.5 curves determines how
10.5 inputs to stick controls are translated
10.5 to aircraft movement
10.5 particularly in the stick range around
10.5 neutral
10.5 think of these curves as a ratio of
10.5 stick movement to aircraft movement
10.5 an s-curve a high number value gives the
10.5 control sticks more sensitivity
10.5 small control input creates large
10.5 aircraft output
10.5 a flat curve a low number value allows
10.5 the control sticks to be less sensitive
10.5 at center
10.5 meaning relatively large control inputs
10.5 produce small aircraft movement diving
10.5 into sensitivity
10.5 attitude is how quickly the aircraft
10.5 responds to control input
10.5 braking determines the time slash
10.5 distance needed for the aircraft to stop
10.5 after stick input stops
10.5 and yaw is the maximum speed the
10.5 aircraft can rotate
10.5 gain relates to the aircraft&;s automatic
10.5 responsiveness to environmental inputs
10.5 primarily wind these default settings
10.5 usually do quite well and don&;t need any
10.5 further adjusting
10.5 [Music]
10.5 where possible try composing shots with
10.5 a significant distance between
10.5 foreground
10.5 and background elements with this
10.5 separation any aircraft movement will
10.5 produce a noticeable parallax effect
10.5 and that aircraft movement doesn&;t need
10.5 to be overly complex either
10.5 simply flying parallel to your subject
10.5 will produce the parallax effect that
10.5 you&;re after
10.5 to take things a step further try
10.5 orbiting your subject with distinct
10.5 foreground
10.5 and background elements and for those of
10.5 you using an
10.5 inspire who want to take this parallax
10.5 as far as possible
10.5 try using a longer focal length
10.5 [Music]
10.5 what constitutes foreground and
10.5 background elements is relative
10.5 you might have two mountain ranges
10.5 separated by a valley where obviously
10.5 the close mountains would be the
10.5 foreground
10.5 and the further away mountains would be
10.5 the background alternatively
10.5 the foreground might be a forced canopy
10.5 as you track a moving vehicle against a
10.5 dirt road which
10.5 is the background foreground elements
10.5 don&;t necessarily demand a lot of
10.5 composition space
10.5 nor screen time duration either having
10.5 those foreground elements
10.5 exit or enter your frame as you move the
10.5 aircraft very easily helps accentuate a
10.5 feeling of depth and movement
10.5 there certainly are instances where it&;s
10.5 not possible to have
10.5 foreground elements there are also
10.5 instances where it&;s not necessary for
10.5 the desired look of a shot
10.5 if you&;re trying to convey a feeling of
10.5 vastness or isolation
10.5 then you&;re better off without any
10.5 foreground elements
10.5 [Music]
10.5 [Applause]
10.5 despite your aircraft&;s ability to reach
10.5 impressive altitudes
10.5 the most dynamic aerial footage is
10.5 captured closer to the ground
10.5 high altitudes dampen any sense of
10.5 movement and the heightened perspective
10.5 diminishes a sense of scale by removing
10.5 identifiable objects
10.5 additionally with your aircraft at 120
10.5 meters it becomes difficult to spot
10.5 and you likely won&;t be able to travel
10.5 any significant horizontal distance
10.5 before losing sight of the aircraft
10.5 completely which is important because in
10.5 most countries
10.5 laws pertaining to drone operation
10.5 require maintaining unaided site of the
10.5 aircraft at all times
10.5 [Applause]
10.5 [Music]
10.5 [Applause]
10.5 whether flying over an open field or a
10.5 snow dusted forest keep your aircraft as
10.5 close to the ground
10.5 as you&;re comfortable flying having the
10.5 camera as close to the ground as
10.5 possible accentuates speed
10.5 this effect is made even more pronounced
10.5 when flying over moving water
10.5 in this shot the aircraft isn&;t moving
10.5 any faster than 10 kilometers an
10.5 hour but it is moving in the opposite
10.5 direction as the waters flow
10.5 which makes it a little more dramatic
10.5 one word of warning
10.5 when flying over open water the bottom
10.5 facing sensors of most drones
10.5 aren&;t quite reliable and i would
10.5 recommend keeping a sharp eye on your
10.5 aircraft
10.5 as it is possible it will gain or lose
10.5 altitude
10.5 unexpectedly
10.5 [Music]
10.5 unless you&;re capturing dramatic cloud
10.5 formations or you&;re after a composition
10.5 with horizontal symmetry
10.5 there&;s little need for the sky to
10.5 occupy so much real estate in your frame
10.5 objects on the ground certainly look
10.5 different from an elevated perspective
10.5 but clouds still look like clouds from
10.5 120 meters
10.5 even if you&;re taking off from a higher
10.5 elevation and there happen to be clouds
10.5 below you
10.5 there&;s little need for an empty sky to
10.5 be the upper half of your frame
10.5 consider the rule of thirds divide your
10.5 composition into three equal
10.5 horizontal slices keep the horizon at
10.5 that upper or above
10.5 that upper third division mark this is
10.5 important to remember when creating a
10.5 reveal shot when your aircraft is moving
10.5 forwards or backwards
10.5 and your gimbal is tilting from a
10.5 downwards to an upwards position
10.5 make sure that it ends that movement so
10.5 that the horizon is at that upper third
10.5 division mark
10.5 don&;t forget about audio admittedly you
10.5 wouldn&;t likely be able to hear
10.5 crunching snowshoes
10.5 with such fidelity at a high elevation
10.5 but it does quickly increase the
10.5 perceived production value
10.5 of your footage and it makes it more
10.5 engaging than aerial footage without
10.5 natural audio be sure that when you&;re
10.5 adding audio that it matches with the
10.5 audience is watching that it is
10.5 synchronized with any environmental
10.5 movement
10.5 if you&;re watching a wave crash you
10.5 should hear it crash at the exact same
10.5 [Music]
10.5 [Applause]
10.5 moment
10.5 current battery technology allows the
10.5 average drone to remain airborne for at
10.5 most
10.5 30 minutes each and every minute your
10.5 aircraft is in the air is valuable time
10.5 you don&;t want to be unnecessarily
10.5 troubleshooting image settings
10.5 or trying to locate a specific
10.5 preference in the menu ensure that you
10.5 are familiar with the companion software
10.5 that comes with your aircraft
10.5 ultimately your ability to capture
10.5 dynamic aerial footage
10.5 is limited to your ability to maximize
10.5 your flight time
10.5 yes your flight time is valuable but
10.5 that doesn&;t mean you should be panicked
10.5 and flying frantically
10.5 not taking the appropriate time to
10.5 compose your shots fly with a purpose
10.5 whether that purpose is to become better
10.5 acquainted with the flight controls
10.5 or to capture specific imagery approach
10.5 every flight with a set goal
10.5 and a plan to help you achieve that goal
10.5 creating a flight plan can save you a
10.5 great deal of time and trouble once your
10.5 aircraft is airborne
10.5 i use google earth to determine where
10.5 the best opportunities are for a
10.5 specific shot
10.5 and i use photo ephemeris to determine
10.5 when and where the best lighting
10.5 conditions will be
10.5 and be prepared to scrap your entire
10.5 flight plan if the weather doesn&;t
10.5 cooperate
10.5 most importantly determine what the
10.5 airspace classification is
10.5 where you plan to fly and adhere to the
10.5 regulations pertaining to your aircraft
10.5 [Music]
10.5 obviously the simplest means of giving
10.5 yourself additional flight time is by
10.5 investing in an extra battery or two or
10.5 three with more batteries at your
10.5 disposal you have more opportunity to
10.5 capture
10.5 that perfect shot or more practice time
10.5 to master your aircraft&;s flight
10.5 controls
10.5 having an extra battery on hand is only
10.5 useful if it is completely charged
10.5 making sure that every one of your
10.5 batteries is fully charged should be
10.5 part of your flight plan
10.5 so too should be checking that every
10.5 piece of your gear is exactly where it
10.5 should be as there&;s nothing more
10.5 frustrating than making it to the top of
10.5 a cold windy mountain
10.5 only to discover that you&;ve forgotten
10.5 your nd filters or you have
10.5 three of one prop type and only one of
10.5 another
10.5 [Music]
10.5 with a large percentage of your
10.5 attention focused on flying as well as
10.5 any other potential distractions
10.5 it&;s quite easy to forget about the
10.5 basics of capturing video
10.5 as such it&;s important to ensure that
10.5 your aircraft&;s camera
10.5 is set up to capture the best video
10.5 quality possible before even leaving the
10.5 ground
10.5 for starters ensure that your shutter
10.5 speed adheres to the 180 degree shutter
10.5 rule
10.5 that is your shutter speed needs to be
10.5 twice that of the frame rate which
10.5 you&;re capturing video
10.5 so if i&;m capturing video at 30 frames
10.5 per second my shutter speed
10.5 needs to be 1 60 of a second if i&;m
10.5 capturing video at 24 frames per second
10.5 my shutter speed needs to be 1 48 of a
10.5 second which isn&;t quite possible on
10.5 most drones so we round up a bit to 1
10.5 50th
10.5 most drones with a fixed lens see
10.5 considerable diffraction related image
10.5 softness when using smaller apertures
10.5 subsequently for the sharpest image
10.5 possible you should rely on nd filters
10.5 as your primary means of exposure
10.5 control
10.5 and keep the aperture value as small as
10.5 possible additionally these small
10.5 camera sensors found on most drones
10.5 perform very poorly in low light
10.5 conditions
10.5 and produce visible digital noise at
10.5 high iso values
10.5 every effort should be made to use the
10.5 lowest iso possible
10.5 lastly don&;t forget about white balance
10.5 using a considerably wide
10.5 focal length and making dramatic camera
10.5 movements means you may encounter
10.5 various lighting conditions and multiple
10.5 color temperatures in a single clip
10.5 you&;ll see in this shot how auto white
10.5 balance may be convenient but it can
10.5 cause trouble
10.5 shot at magic hour the trees begin that
10.5 proper warm orange hue
10.5 but gradually they become cold and blue
10.5 it is important to
10.5 manually set your white balance at the
10.5 beginning of every shot
10.5 this is time consuming but it will
10.5 produce a better product in the end
10.5 [Music]
10.5 individually the topics discussed
10.5 throughout this video do have potential
10.5 to create compelling aerial footage
10.5 however the most engaging and
10.5 eye-catching shots
10.5 are the product of multiple elements
10.5 combined flying low without giving the
10.5 sky
10.5 too much real estate making smooth
10.5 movements while incorporating dynamic
10.5 foreground elements
10.5 being efficient with your time without
10.5 neglecting the basics of video capture
10.5 ultimately there is no one recipe to
10.5 create a dynamic aerial shot
10.5 and it&;s up to you to be creative
10.5 [Music]
10.5 that&;s about all i have for improving
10.5 your drone or aerial cinematography
10.5 on behalf of cousteau and myself thank
10.5 you for watching if you&;ve
10.5 enjoyed this video if you&;ve learned
10.5 something click like if you have a
10.5 question or a comment
10.5 put it down below thanks again and i
10.5 will see you next time
10.5 good dog
10.5 [Music]
10.5 you
.